Patrick as Legree and William as George |
“But what happened to Topsy?” I
asked as I wiped away my tears.
“Well, there is much more to the
story,” William replied. “The full work is far too long for you to read to
prepare for tonight’s performance, but Topsy accepts Christ and makes a promise
to be good. She becomes a missionary and moves to Africa to help our people
there. But that is not shown in our story.” His look darkened as he paused and
closed the book.
“Our production ends with a narrator
providing a coda to the story and its characters,” William said in a cheerless
voice. “The character of George, the heroic slave, is much reduced. I play
both characters. I have been talking to Patrick about some changes—.”
“Changes, William?” Patrick had
suddenly appeared. He had made his inquiry with a distasteful expression. “You
don’t want ‘changes,’ my boy. You want to rewrite the entire play.” From
William’s look, I surmised that this had been a longstanding disagreement
between the two.
“Not the entire play,” William
responded. “But we must make the character of Harris more prominent. And we
must make Tom less…less servile.”
“No!” Patrick O’Carroll retorted.
“We must give the audience what it wants. They want Tom, they want Topsy, and
we will give them what they want!”
“You go now, Mel,” William said, his olive skin reddening with anger, “and practice your tumbling.” As I headed away,
William stood and spun toward Patrick. His face betrayed extreme agitation. An unpleasant
and somewhat raucous argument followed, with oaths and odious curses traded by
both men. I thought they might come to blows!
[TO BE CONTINUED.]
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